The superposition of these strategies onto the form-making concept, together with a contemporary interpretation of ancient traditions, shaped the final proposal. The hills were transformed into an artificial landform; the rivers into flowing lines of landscape design; the lakes into a system of separate enclosed and open thematic spaces; and the wooden fortresses into an izba town with an internal courtyard, oriented to open up the most favourable views of the urban surroundings and to mitigate the harsh climate. This same purpose is served by infrared heaters throughout the site, as well as heated outdoor furniture and paving.

At the same time, the “town” is conceived as a unified complex governed by a specially developed design code, with its own navigation system and regulations for the use of materials — primarily stainless steel tubes, structural glazing and timber finishes. Hidden within the artificial “hill” of the −1 level are a car park and a multifunctional hall for 100 people, where the first 13 rows can be transformed into a dance parterre. The ground floor forms a warm contour — an extension of the street — and a multi-height atrium with a central staircase. From the second floor, visitors can step out onto the “hill” that dives beneath the complex: the 100-seat transformable hall can be extended into an outdoor stage.

The third floor is accessible only to pass holders and offers spacious, light-filled common areas for co-working, exhibitions and workshops, while the internal courtyard and terrace, opening to the south-west, serve the same functions and are accessible to everyone. From here, a remarkable view opens towards the sunset and the city centre. The new centre is intended not only to address the shortage of event spaces, but also to create additional jobs, strengthen neighbourly relations and actively involve young people in the life of the city.